
Hoffman’s Harvey Shine heads to London for his daughter’s wedding and he’s slightly perturbed about the traveling inconvenience. Harvey is further inconvenienced by the hotel accommodations, rehearsal dinner seating arrangements and most importantly, his role in the wedding itself.
Upset and distraught he heads to the airport for a flight back to the states, but before he leaves London he meets Thompson’s Kate Walker, a surveyor at the airport. This causes Harvey to reconsider leaving England.

Although the intensity of the romantic sparks between Harvey and Kate are not as intense as Linklater’s Jessie and Celine they’re no less important. Harvey is still dealing with the aftereffects of his divorce and the downturn of his music-writing career, while Kate hasn’t tasted must success in her love or professional life.
Romances, especially subtle ones like Harvey and Kate’s, don’t work without terrific performances. Hoffman and Thompson deliver pitch-perfect work, never escalating their character’s predicaments into melodrama, but also not downplaying them. The result is not only authentic, but also more relatable and effective than most big-screen romances.
LAST CHANCE HARVEY is an effective romance that celebrates love at any stage of the game.
Grade: B
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