

CHOKE fashions itself as a dark comedy, mixing explicit sexual encounters, touchy religious turf and graphic language in a tale of self-discovery. The picture is dark alright, but the lack of laughs made it a stretch to be considered a comedy, despite its blatant attempts. In spite of its obnoxious nature, Rockwell’s Victor is surprisingly endearing, no doubt a testament to the actor’s oddly charming ways. Rockwell, seen as a character actor in many mainstream films, has found a knack for playing off-beat individuals with extremely unique personalities. Victor is no different, and is certainly not one-dimensional. Despite his perversions and general contempt for mankind, Victor is an intelligent, crudely witty and often caring individual. Much of the credit should be given to writer-director Clark Gregg. His emphasis on Victor is a wise choice considering the ineptitude of the screenplay. Victor’s sexual addiction is never treated as anything more than a comedic device, and the relationship between he and Paige never amounts to much. CHOKE is an experimental, self-discovery picture that could have used a little less bite, and a lot more substance.
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