L'ENFANT

A young man struggles to come to terms with adulthood in the foreign language film, L’ENFANT. Translated as THE INFANT, the French film follows a couple who is prepared neither financially, mentally or emotionally for a child. That doesn’t stop Bruno and Sonia from conceiving, but does create a problem for them as parents. Their only source of income comes from Sonia’s welfare benefits, and Bruno’s petty theft earnings. Eager to earn more money, and rid himself of the burdens of parenthood, Bruno sells his child to a black market group that profits off orphans.

Co-writers and directors Jean-Pierre and Luc Dardenne’s resume is full of darker –themed pictures, and gritty documentaries. L’ENFANT follows in this same vein, effectively depicting a seedy and immature young man, and the sleazy streets that he inhabits. The Dardenne’s writing allows one to view a realistic, but rarely seen segment of France, and their docu-style camera work is affecting, without seeming pretentious. The key to the picture is the character of Bruno. Bruno is far from sympathetic or even emphatic, but is an engaging figure that lives for the moment, throwing all caution and care for tomorrow aside. Jeremie Renier, as Bruno, creates a young man who would seemingly be despicable, if it wasn’t for his immediate need and eagerness to please Sonia and himself. The Dardenne’s script allows us to dislike Bruno, yet not despise the man, and wisely enables us to forgive him after viewing his transformation.

Grade: B-